April 28, 2019

Natalie was honored to be a part of the creation of "The Edge Effect" the first evening length work by LucidBeings Dance Company.

March 15, 2019

Natalie Boegel performed Katie Sopoci Drake's "Crossing" at Dance Loft on 14th, the Baltimore Dance Invitational, and at the Kennedy Center's Millennium Stages. You can view video of the Kennedy Center Performance by clicking here!!

March 13, 2019

Natalie Boegel was thrilled to be featured in Madeline Maxine Gorman's ADDICT, premiering at Baltimore Theatre Project in March of 2019. You can watch a trailer for ADDICT by clicking here!!

February 24, 2019

Natalie Boegel was honored to participate in BlueShift's "Suffrage" as both a dancer and choreographer, performing both in Caitlin McAfee's "Speaking with Fists" and her own work "LOUD≠RIGHT".

November 15, 2018

Check out this wonderful review for Natalie Boegel and Dave Young's conceptual brain child, The Male Gaze, produced and performed by BlueShift Dance at Charm City Fringe Festival!

https://dcmetrotheaterarts.com/2018/11/08/review-the-male-gaze-at-charm-city-fringe-festiv...

April 14, 2018

verguenza is a solo choreographed by Natalie Boegel in collaboration with Hannah Soares. This work was performed throughout the 2017-2018 season for numerous audiences at The Fredgren Studio Theatre, Baltimore Theatre Project, and Dance Loft on 14th. We look forward to...

October 20, 2017

BlueShift Dance was honored to participate once again in Towson University's Inertia Concert. Artistic Director Caitlin McAfee and dancer Natalie Boegel revived the company's Apple Pie, originally choreographed and performed by McAfee and Sarah Joy Stallsmith. This was...

July 8, 2017

This weekend Natalie Boegel had her debut performance with JoAnna Mendl Shaw's The Equus Projects at INSITU Dance Festival. Dedicated to site specific work, INSITU Dance Festival brings the beauty of movement to the Long Island City waterfront. JoAnna Mendl Shaw's MAND...

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photos by Christopher Peddecord, Nir Arieli, Peter Yesley, Caitlin Shoemaker, John Moore, Paul Wegner, and Bill Gorman.

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